Complete List of Works
Pryse’s portfolio showcases their work as a self-described Intermedia, New Discipline, Neo-Impressionist, New Music Composer who is dedicated to collaborative projects that emphasize the importance of honest inner dialogue, improvisation, genre blending, and the Queer perspective.
Large Ensemble Works:
Response Apparatus (2024)- For 14 Musicians, 18 minutes
Heartstring (2023)- For Symphony Orchestra, 9 minutes
Like a Train Through the Mountains (2023)- For Flute Choir, 6 minutes
She Sees the Light in Shadows (2022)- for SSAA Choir, Piano, and Spoken Word, 6 minutes
Symphony #1 “The Feminist Fantasy” (2018) – for Symphony Orchestra, 42 minutes
Chamber Works:
a meditation, or an escape (2025), for open ensemble and two vocalists
Parts Work- Not Listening (2025), for Flute, Bass Clarinet, Trombone, and Electric Guitar, 12 minutes
Hyacinth (2024), Concerto for Cello and Piano in Two Parts, 14 minutes
Rain and Mountains High (2024), Choir and Percussion, 4 minutes
The Road Not Taken (2024), Two Part Choir with Piano, 3.5 minutes
Sonata for Flutes, Piano, and Page Turner (2023)- Flute, Piano, Piano Assistant, 13 minutes
Love, The Ex-Wife (2023)- For Soprano, Viola, and Piano, 5.5 minutes
Scenes from Somewhere (2022)- for Flute, Clarinet in Bb, and Bassoon, 12 minutes
Dear No One (2022)- Chamber Song Cycle for Flute, Clarinet in A, Mezzo-Soprano, Harp, Vibraphone, and Cello, 5 minutes
And Still, I Hope (2021) – Song Cycle for Mezzo Soprano and Piano, 7 Minutes
Abstract Art (2020)- For Four-Hand Piano, 14 minutes
Opaque Figures (2015) – for Wind Quintet, 4 minutes
Solo Works:
Three Harp Miniatures (2022) – for Harp, 5 minutes
Pjesma Za Samoću (2021) – for Flute and Fixed Media, 8 minutes
Staged/Multimedia/Electronic Works:
02/23/24 (2024)- Stereo fixed media and solo voice
I Remember it All (2024)- Operetta in one scene for Soprano, Mezzo-Soprano, and Four Hand Piano
There will come wine dark rain (2023)- a Graphic Score improvisation for Lap Steel Guitar, No-Input Mixer, and 8-channel fixed media with live processing and live sound diffusion, 12 minutes
Madame Eve (2023)- Intermedia drag performance with fixed media and 5 screen video
Every Artist Needs a Prison: A Meditation on a Lie (2023), Intermedia chamber cycle of extractable works for extractable ensembles and live cake decoration, 88 minutes
Everyone is Watching- A Series of Transitional Material or Background (2023), Solo performer, open duration
to wash away excess starch (2023), Piano, fixed media, spoken word, and three-screen video, 9 minutes
The Tools of Our Own Destruction (2023)- Fixed Media, 8 minutes
World is Exploding: Write that Down (2022)- Graphic Score piece for Live Electronics and Live Processed Typewriter, 5 minutes
Meditation on Progress (2022)- Intermedia work for five-screen video, fixed media, wind chimes, and oscillating fan, 10 minutes
Where were we again? (2022) – Intermedia work for three-screen video, fixed media, and improvised six tape recorder performance, 10 minutes
Marie Antoinette [In Quarantine] (2022) – Intermedia work for solo improvised instrument and video, 11 minutes
Corduroy Square (2020) – Board Game piece for open instrumentation, open duration
H20 (2020) – Film score for solo Piano, 10 minutes
Somewhere in Cosmic Space (2020) – Fixed Media, 4 minutes
Pryse Official Compositions 